The Music Never Stopped
A Half-century of Concerts at Illinois State University
Story by John Twork Web design by Ella Jahraus
All photos in this story are from performances at Illinois State University.
From the “Prince of Darkness” to the “Queen of Soul,” dozens of music’s brightest stars have shined at Illinois State University over the past half-century.
Braden Auditorium (originally named Union Auditorium from 1973-81) has hosted over 300 concerts during its 50-year run as Illinois State’s intimate, 3,500-seat theatrical venue. Larger shows rocked Horton Field House beginning in 1964 until Redbird Arena (now CEFCU Arena) opened in 1989. And, before Illinois State’s modern venues, students danced to the likes of Count Basie at McCormick Gym.
Through more than five decades of concerts at Illinois State, generations of Redbirds share memories of belting out lyrics at live campus shows—from Aerosmith’s “Sweet Emotion” in 1975 to Noah Kahan’s “Stick Season” in 2023.
Here are our top 50 concerts of the past 50-plus years at Illinois State.
Alumni in the Spotlight
A few alumni stars have appeared on Braden Auditorium’s stage years after they were regulars in Illinois State’s classrooms. Country singer-songwriter Suzy Bogguss ’79, a Grammy award-winning musician, performed at Braden in 1999 to raise funds for Illinois State’s yet-to-be-built Center for the Performing Arts. Comedian Craig Robinson ’94 played the keyboard alongside his band, The Nasty Delicious, at a 2014 Family Weekend musical-comedy show at Braden.
A few hours before opening for Tom Petty and the Heartbreakers, 25-year-old Lenny Kravitz, bottom right, appeared at The Gallery in Downtown Normal where he was honored by Illinois State’s Black Writer’s Forum “for his outstanding work in the music industry,” according to a February 19, 1990, Vidette article. “What can I say? This is my very first award,” Kravitz proudly told the packed crowd. When asked by an audience member if he would play “Rosemary,” a song off his debut album, at that evening’s concert, he said it wasn’t on the setlist. “So, on the spur of a moment, Kravitz was handed a guitar by someone in the audience and showed the crowd real, honest music, the way it is supposed to be,” according to Vidette writer Kawone Harris ’93.
Questionable Riders
Longtime Braden manager Barb Dallinger has read dozens of tour riders listing items that performers request—or demand—for their performances. Dallinger often parsed the lists by asking managers, “Is it a ‘must have,’ or a ‘want?’” One unnamed star requested a six-pack of white athletic socks and undershirts because she liked the feel of new socks after a show. Dallinger politely declined. Another asked for a specific brand of bottled water only available in Colorado. After arriving in her dressing room to find a case of Evian, Dallinger said the star threw each bottle into the hallway, yelling, “This is not the water I ordered!” Dallinger fondly remembers country band Lonestar’s request for “a meal like grandma would make on Sunday.” “The catering group knocked it out of the park,” Dallinger said. “They made fried chicken, mashed potatoes, corn, green beans, and pie. It was incredible!
Normal Mayor Richard T. Godfrey proclaimed November 7, 1983, as “Genesis Day” in honor of the band’s decision to open its 12-week North American tour in Normal. Phil Collins, middle, and his fellow band members accepted a plaque marking the honor and held a press conference for local media.
If there ever was a band that could conquer the acoustic atrocities of Horton, it is Genesis. But that’s no surprise. -David Bill, Pantagraph
As the lights died and the backing band entered in twos, the audience became excited. A sweet but raspy voice came from somewhere, ending the wait. With enough sequins and hair to kill Liberace once again, Dolly Parton entered the stage and blew away the audience. -Bruce Whitenack, The Vidette
Controversial Acts
The long list of concerts in Normal includes a handful of notoriously controversial performers, none more so than heavy metal rocker Marilyn Manson, who played Redbird Arena in 1997. “There was so much controversy,” said longtime Pantagraph arts and entertainment editor Dan Craft. “Church groups were protesting, and the anti-Marilyn Manson faction blew it up into a front-page news story.” Craft also recalls controversy surrounding rock band Jefferson Starship’s 1982 performance at Horton Field House. “A local minister had discovered what he believed to be a satanic message recorded backwards on a Jefferson Starship record,” Craft said. “Starship’s Paul Kantner went on WJBC radio’s afternoon show, Problems and Solutions, and had a live debate with the minister before that evening’s concert.” In both cases, the shows took place without any major incidents.
“I’m feeling pretty normal tonight,” Bruce Springsteen joked to a full-capacity crowd at Braden Auditorium Tuesday night (during his solo, acoustic Ghost of Tom Joad Tour). I’m in a normal place with a bunch of normal people,” said “The Boss.” “It feels good to be normal.” -Matt Miller, The Vidette
After singing 18 songs, the Beach Boys took a small intermission. Joyce Kay, an usher for the performance, found herself enjoying the show as she repeatedly got up to dance and sing along. “I think [the show] is fantastic,” said Kay. “It makes me feel young again. It makes me feel like I’m a student again at ISU.” – Becky Fletcher, The Vidette
Rites of Spring
Held from 1972 to 1977, the Rites of Spring—Illinois State’s version of Woodstock—were free, all-day events anchored by emerging musicians performing on a stage on the south end of the Quad. In its final year, the Rites drew nearly 20,000 students from across the country to see a lineup that included REO Speedwagon and the Charlie Daniels Band. Excessive drinking and the use of recreational drugs by many of the event’s attendees along with the festival’s cost to the University led, in part, to the Rites’ demise.
2
Elton John
Horton, 10/11/72
The “Rocket Man” helped launch a golden era of rock concerts at Horton Field House in the 1970s. Wearing a flashy suit, platform shoes, and rimmed glasses, 25-year-old Elton John electrified Horton. Students had camped on the Quad for two days to secure tickets. In his review of the Elton John show, Vidette feature editor Mike Waters ’73 said the audience was treated to a “masterpiece” of a concert. “Without letting up, he hit high point after high point, continually bringing the audience screaming to their feet,” wrote Waters.
What memories do you have of concerts at Illinois State? Did we miss your favorite show? Share your stories and photos
Special thanks to Julie Neville, M.S. ’12, Illinois State University senior archives specialist, and Bill Kemp ’88, M.S. ’00, McLean County Museum of History librarian.
Cover by Half Hazard Press
